Search for art, find what you are looking for in the museum and much more.
In 1944, only nine years after opening its doors, the VMFA acquired its first work by an African American artist. Since that time, the Museum has remained steadfast in building a collection reflective of the African American experience and expression. In 2015, the VMFA redoubled these efforts, launching an initiative to significantly deepen its holdings of African, African American and African Diasporic artists as a means to expand its connection to an ever growing diverse community.
The collection features masterpieces from early American to modern and later, contemporary artists. With such a vast arch across time, these works collectively underscore the dramatic shifts in the artistic, social and political landscape and their impact upon the creative expression. Through the work of such remarkable artists who range from Joshua Johnson to Kehinde Wiley, we are able to see the transformations within our society that continue to inform our multivalent culture.
Rumors of War takes its inspiration from the statue of Confederate Army General James Ewell Brown “J.E.B.” Stuart created by Frederick Moynihan in 1907 and removed in 2020. As with the original sculpture, the rider strikes a heroic pose while sitting upon a muscular horse. However, in Wiley’s sculpture, the figure is a young African American dressed in urban streetwear. Proudly mounted on its large stone pedestal, the bronze sculpture commemorates African American youth lost to the social and political battles being waged throughout our nation.
Learn MoreMany artists made their greatest masterpieces using paper, such as Romare Bearden’s collage, Three Musicians. Works on paper, however, are much more sensitive to light than paintings or sculptures and require measured presentation. To preserve these objects, VMFA follows the American Alliance of Museum’s protocol of resting works on paper up to four times as long as the work has been on view. When not hanging in the galleries, these works can be found on the Museum’s website.
Many artists made their greatest masterpieces using paper, such as Romare Bearden’s collage, Three Musicians. Works on paper, however, are much more sensitive to light than paintings or sculptures and require measured presentation. To preserve these objects, VMFA follows the American Alliance of Museum’s protocol of resting works on paper up to four times as long as the work has been on view. When not hanging in the galleries, these works can be found on the Museum’s website.
In 2015, VMFA acquired Draper’s complete archive from his sister, Nell Draper-Winston. The archive consists of more than 6,600 items (representing more than 50,000 images), including photographs, negatives, contact sheets, slides, computer disks, audiovisual materials, and camera equipment, as well as valuable documents and publications, which include significant materials about the formation and early years of the Kamoinge Workshop. The archive inspired and informed the exhibition and catalog Working Together: Louis Draper and the Kamoinge Workshop.
Two years later, in 2017, the museum was awarded a generous grant from the National Endowment for the Humanities to fund 29 months of work that transformed an extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.
Learn MoreChicago-based painter Archibald Motley gained prominence as an artist of the Harlem Renaissance—a celebration of African American art, literature, and music in the decades between the World Wars—and extended this movement’s reach beyond New York City. With the group of walking figures at lower right, Town of Hope is a painterly evocation of the era’s Great Migration, in which six million African Americans fled the rural South for better lives in northern cities such as New York, Philadelphia, Cleveland, Buffalo, and Detroit. The otherworldly spectral greens, the seemingly vengeful clouds, and the carefully placed trio of birds— a sign of the holy trinity—suggest that the exodus is divinely mandated. The figures’ white farming shirts with wide collars symbolize the agricultural lives they are leaving, while the leaning stances suggest the arduousness and weariness of the task.
Drawn from the collection of Dennis O. Williams and presented in the Photography Gallery, some 25 portraits of Black Americans—some enslaved, others free—offer a powerful and poignant way to explore complicated histories. This installation, which includes daguerreotypes, ambrotypes, tintypes, and early works on paper made from the 1840s through the 1880s, features a small selection of work by Ball. This installation was conceived to complement the exhibition Isaac Julien: Lessons of the Hour—Frederick Douglass.
Learn More
American artist Hank Willis Thomas discusses his work and the construction of black identity through popular culture.
The interview was conduced by John B. Ravenal (Syndey and Frances Lewis Family Curator of Modern and Contemporary Art), VMFA.
Artist Radcliffe Bailey talks about his artistic process and what he hopes his art conveys. Come see "Vessel" in VMFA's permanent collection.
Artist Julie Mehretu talks about the concepts, processes, and implications of her "Stadia" series, including "Stadia III" in VMFA's permanent collection.
LeRoy Henderson discusses his life and work documenting American protest culture with Dr. Sarah Eckhardt, Associate Curator of Modern and Contemporary Art, on Thursday, February 16, 2017 at the Virginia Museum of Fine Arts. This program was a part of the educational programming related to the exhibition A Commitment to the Community: The Black Photographers Annual, Volume I, on view February 16, 2017-October 3, 2017 and Black History Month 2017.
Produced to accompany the exhibition, "Kehinde Wiley: A New Republic," this video series features the artist himself discussing his background, work, process, philosophy, and art historical influences.
American artist Robert Pruitt discusses his inspirations, his process, and elements of the absurd in this artist talk.
![Untitled [New Jersey]](https://vmfa-dmz-new.piction.com/piction/ump.di?e=4FAFFA3274A9118C0AC563A97AC2C36FF238380378DE7ADCDCB6AA8ABB80673D&s=21&se=1906736442&v=1&f=%5Cd0251%5Cu202102514%5CMC2018_20_7_v1_DS_201902_o2.jpg#)
