VMFA’s Teen Terns Reflect on The Dirty South Exhibition

This summer, the Virginia Museum of Fine Arts had five “Teen Terns” join the Education and Marketing teams during the months of June, July, and August. Teen Ternships are paid internship opportunities for Richmond-area high school students who have previously participated in VMFA’s Museum Leaders in Training (MLiT). This year, we had an additional Teen…

Valerie Cassel Oliver (left) and Jan Hatchette (right). Photo by Sandra Sellars ⓒ Virginia Museum of Fine Arts

Years in the Making: Behind the Scenes with Valerie Cassel Oliver

When the public experiences an exhibition at the Virginia Museum of Fine Arts, they see not only the art on view but also the culmination of years of work by teams of museum professionals who take a curator-led journey from conception to realization. While an exhibition’s star attractions are the works of art on view,…

Coronation Theme: Organon, 2008, Nadine Robinson (American, born England, 1968), speakers, sound system, mixed media. High Museum of Art, Atlanta, given by John F. Wieland Jr. in memory of Marion Hill, 2008.175. Image: © Nadine Robinson

Dirty South: Its Meaning and Influence

“Dirty South” is an expression that endearingly refers to the southern part of the United States—from Virginia to Florida, Texas, and the states in between—whose Black traditions and artistic expressions have shaped the culture of the region and the nation. The term describes an identity born out of the southern landscape and its agriculture as…

Hamilton Glass: The Artist and Architect behind RVA Community Makers

Artist Hamilton Glass, also known as “Ham,” is a Philadelphia-born, Hampton University graduate, who has proudly called Richmond home since 2007. And it’s here in RVA where he has also made his name as a painter and muralist with a genuine concern for building community and bridging divides. His relationship with VMFA has always involved…

The Sounds They Saw: Kamoinge and Jazz

By Dr. John Edwin Mason Author’s Note: This blog post draws heavily on an essay, also called “The Sounds They Saw: Kamoinge and Jazz,” that I wrote for the exhibition catalogue Working Together: Louis Draper and the Kamoinge Workshop. I’m grateful to the photographer Herb Robinson, a member of Kamoinge, for selecting the music that…

Celebrating African American Community Leaders Through Public Art

This video was created by Field Studio and was made possible in part by Virginia Humanities. In February 2019, VMFA unveiled RVA Community Makers, a public art project featuring portraits of eight African American community leaders. The initiative is one example of VMFA’s commitment to opening our doors to a more diverse audience. Local artist…

The Quilting Tradition of Gee’s Bend

This article is an excerpt from the museum magazine, VMFA, an exclusive benefit for museum members. See works from the Gee’s Bend quilters on display in the Cosmologies from the Tree of Life: Art from the African American South exhibition. Valerie Cassel Oliver, VMFA’s Sydney and Frances Lewis Family Curator of Modern and Contemporary Art,…

The Thickness of our lives – Q&A about Howardena Pindell with Tressie McMillan Cottom, PhD

We recently had the opportunity to speak with Tressie McMillan Cottom, PhD, about VMFA’s current exhibition Howardena Pindell: What Remains To Be Seen. Cottom is an assistant professor of sociology at Virginia Commonwealth University. She has spoken across the nation and the world on technology, higher education, race, gender, class, and social inequality. Her latest…

Chelsea HIggs Wise and Howardena Pindell

Experiencing Howardena Pindell and VMFA through the Lens of Intersectionality

Pindell’s journey presented at the Virginia Museum of Fine Arts is unique to the artist but not unusual. We’ve heard the tale: the impressive work ethic of a brilliant black mind, occupying double roles, only to still fall short on respect from her white colleagues as well as the white-dominant art world. Pindell worked as…

Full Circle: VMFA Curator Valerie Cassel Oliver on Howardena Pindell

Howardena Pindell has consistently broken new ground during her five-decades-long artistic career. In 1967, she was the first female African American to graduate from Yale University’s MFA program then began working as the first female black curator at the Museum of Modern Art in New York. Her diverse body of art—from abstract canvases to photography…