Educational
2013
American
oil paint and oil paint skins collaged on canvas
Unframed: 96 × 73 × 4 1/2 in. (243.84 × 185.42 × 11.43 cm)
2014.6
Not on view

I realized I could create a conversation between classical and contemporary issues of painting. I want to keep up a dialogue between past and present by being loyal to what painting has been but at the same time questioning it. —Angel Otero

Otero left Puerto Rico, where he was born and raised, to study in Chicago. Now in New York, he makes paintings and sculptures that emphasize process and chance. His Skins begin with layers of oil paint applied to Plexiglas. When the paint is partially dried, Otero peels it off with homemade squeegees and blades, sliding it onto cardboard for further drying. Then he adheres the paint to canvas, where he further works the surface with brushes and knives. Oil paint came into use in the Renaissance, prized for its capacity to represent human flesh. Otero’s work takes painting well beyond representation but his thick skins drooping from canvases build on oil paint’s traditional connection to the body.

Pamela K. and William A. Royall Jr. Fund for 21st Century Art and Aldine S. Hartman Endowment Fund
Art Basel Miami Beach 2013
© Angel Otero

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