2012
American
Oil on linen
Overall: 68 1/2 × 80 in. (173.99 × 203.2 cm)
2012.23
Not on view

"My intent is to insert as much information and as many layers into a painting as possible."—Dean Byington

To create his impossible vistas, Byington taught himself to draw in the highly stylized manner of 19th-century wood engraving. He begins by making a collage of drawn and found images. From a scanned image of the collage, he makes silk screens, which he prints on the canvas (Two Harbors incorporates about thirty prints). Finally, he hand paints the interstices to form a seamless whole. Two Harbors offers a loose allegory on nature, culture, and the passage of time. Streams flowing from the harbors—one settled, the other pristine—cascade through mountains, woods, and fragments of world architecture that line a terraced pit whose form derives from an inverted Egyptian stepped pyramid. What at first appears nostalgic and serene becomes, on closer examination, a landscape of ruin and depopulation.

Signed D. Byington 2012 on verso in upper left corner
Pamela K. and William A. Royall Jr. Fund for 21st-Century Art
© Dean Byington

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