Ansel Williamson, Edward Brown, and the Undefeated Asteroid (Primary Title)
The Undefeated Asteroid (Primary Title)
The Undefeated Asteroid with Ansel (His Trainer) and Ed Brown (Jockey) (Alternate Title)

Edward Troye, American, 1808 - 1874 (Artist)

1864
American
oil on canvas
Unframed: 28 1/4 × 38 3/4 in. (71.76 × 98.43 cm)
Framed: 36 × 46 1/4 × 3 1/2 in. (91.44 × 117.48 × 8.89 cm)
85.647

In this scene, enslaved horse trainer Ansel Williamson holds the horse’s saddle. Williamson began training racehorses for T. B. Goldsby, who later sold him to the horse breeder Keene Richards. After earning a reputation as a distinguished trainer throughout the 1850s and early 1860s, Williamson was sold to Robert Aitcheson Alexander of Woodburn Farm in 1864. As a testament to the quality of Williamson’s talent, Asteroid, the three-year-old bay colt he had trained, depicted in this painting, was kidnapped for ransom by Confederate guerrillas in October of that year. Asteroid was recovered by Alexander’s neighbor a week later, and it is possible that Troye began this painting before the horse’s abduction and was only able to complete it following its return. As a subtle commemoration of the incident, Troye may have intended the three riders in the background to be depictions of the marauders. After Alexander’s death, Williamson—who was finally a free man—would continue to train racehorses.


The young man kneeling down to adjust his spurs is Ed Brown, who was seven years old when he was purchased by Alexander. Although he was only fourteen when this painting was completed, he had already become the top jockey in Alexander’s stables. Because he was also a very fast runner, he was nicknamed Brown Dick after a famous racehorse that Williamson had trained for Goldsby. After his career as a jockey, Brown was mentored by Williamson and eventually became a highly successful trainer in his own right. When he died in 1906, he was said to be “the richest black man in Louisville, Kentucky.”


The identity of the groom who holds Asteroid's reigns remains unknown.


signed and dated lower, left: E Troye Dec. 11 1864
lower, right: AS/TE/ROID
Paul Mellon Collection
"Tales from the Turf: The Kentucky Horse 1825-1950", Speed Art Museum, Louisville, KY, November 15, 2019 - March 1, 2020

“Edward Troye,” National Sporting Library and Museum, October 25, 2014 – March 25, 2015

"Works of Edward Troye, 1808-1874", National Museum of Racing, Inc., saratoga Springs, NY, July 20-August 31, 1981.

National Museum of Racing, Inc, Saratoga Springs, NY, Summer, 1966
Image released via Creative Commons CC-BY-NC

Curator’s Talk: The Reinstallation of the Mellon Collection
1:14:33

The collection of European paintings, sculptures, and decorative arts given by Paul and Rachel Mellon constitute an essential facet of the museum’s identity. Dr. Sylvain Cordier, Paul Mellon Curator and Head of the Department of European Art, discusses the reinstallation of the Mellon Collection.

Some object records are not complete and do not reflect VMFA's full and current knowledge. VMFA makes routine updates as records are reviewed and enhanced.