In this course, photographer Jaclyn Brown will show you how to capture decisive moments that communicate the energy of a particular place. The workshop will start by studying the masters of street photography, and then present various methods for approaching strangers for portraits, creating strong compositions, working with the light you have (as well as…
Request ProgramPhotography
Developing a Photographic Portfolio
In this course, photographer Jaclyn Brown details the concepts and steps behind creating a well-crafted portfolio from a photographic perspective. The workshop begins with asking students about their individual goals for their portfolios. From there, the course gets into details such as defining the structure of your portfolio, looking at prime examples of successful portfolios…
Request ProgramDigital Photography Foundations
In this course, designed for students who have little previous experience with digital photography, instructor Jaclyn Brown will help students overcome their fear of using manual settings on a DSLR camera as well as help cell phone camera users to maximize potential quality. Students will be introduced to camera operations, very basic image editing, and…
Request ProgramThe Art of Every Day Photography – Point & Shoots, Polaroids & Phone Cameras Welcome
Yolonda Jones, photographic artist, envisions holding and facilitating space for VMFA distanced student participants to experience a primer in the Art of Everyday Photography. She will conduct the session in three parts: guiding students through an introduction to the theory of photography as art, getting cameras (phone build-ins, DSLRs, point and shoot, Polaroids—whatever’s available) into…
Request ProgramPinhole Photography
Photography was invented in 1839.In the beginning, there was a light-tight box, a lens, and a shutter to control light. The camera projected the image on a light-sensitive paper, which was then developed and made permanent through chemical processes. Students will view the first photographs as they look back at the history of photography and then discuss how photography has changed over the last century. Once students have an understanding of image making, the class will make rudimentary photographs using pinhole cameras (supplied) and review the materials needed to make pinhole cameras.
Request ProgramCut, Paste, Layer, and Mask: The Digital Photo Montage
Using digital photographs and Photoshop, students will alter images at the pixel level creating digital montages — or a blend of imagery created by cutting, pasting, layering, and masking digital content — inspired by artwork in the VMFA collection. The instructor will provide digital images during the workshop, but students are encouraged to bring their own digital photos on a jump drive. Students are required to have basic computer skills.
Request ProgramStorytelling with a Camera
A story is often told through photographs. Small groups of students will write fictional stories based on artwork from the museum collection and shown photography examples that take advantage of set construction, lighting, and documentary styles. Visually thinking about their stories, each group will decide how to convey the narratives using a camera. Establishing the subject, location, and character, the photography process begins. The final output will be a portfolio of photographs exhibiting the story either through digital or printed resources.
Request ProgramPhoto Illustration Using Collage
This workshop will illustrate an idea using various photographs. To start, students choose a word or phrase to be illustrated. Looking through a variety of photographic imagery, students will choose photographs to cut and paste to make a collage. Students will be asked to express their word or phrase with three to five different versions of their photo collages. If digital photography technology is available, cameras will also be used in the photo illustration process. The final output will be a portfolio of three to five photo collage illustrations.
Request ProgramThe Digital Portrait
Join photographer Glen McClure, whose projects have included A Random Portrait of Virginia and Faces at the Races, in a hands-on workshop on the digital portrait. Learn simple portrait techniques, including the use of natural light, electronic studio flash, proper backgrounds, and strategies to help your subjects relax in front of the camera. Weather permitting, we will work outside with natural light and create portraits of our classmates. At the end of the day, images are reviewed in one-on-one and group discussions.
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