Purchases:
- Gustave Doré French, 1832-1883), “Spanish Poachers (Contrabaniers Espagnols),” ca. 1860s-1870s, oil on canvas, 77¼ x 94-7/8 inches
- Central Tibet, “Yamantaka and Vajravetali,” mid-15th century, opaque watercolor on cloth, 34 x 29 inches
- Salem, Mass., Pair of Painted Side Chairs, ca. 1790, maple, painted and detailed with floral decoration, each: 44½ x 32 x 26 inches
- Rudolf Wagner (German, dates unknown) for Wild & Cie. (German (Pforzheim), before 1867-1939), Buckle, 1906, silver, gilding, mother of pearl, enamel, amethysts, peridots, 4¼ inches long; and Design for a Buckle, 1906, pen and ink on paper; and William Comyns & Sons (English (London), founded 1859) Belt, 1906-07, silver, 27 inches long
Gifts:
- Piel Frères (French (Paris), 1855-1925), Belt, 1899-1900, silver, enamel, gilding, 9 inches long
- William Hogarth (English, 1697-1764), “The Cock Pit,” November 1759, etching and engraving, 12-3/8 x 15 inches; sheet: 16¾ x 18
- Antoine-Louis Barye (French, 1796-1875), “Cheval Turc,” ca. 1857, bronze, 11½ x 4½ x 12 inches
- Eight photographs by Hullihen Williams Moore (American, born 1942): “Appalachian Trail and Mist,” 1994, pigment print, image: 30 x 23½ inches; “Falling Spring,” 1996, pigment print, Image: 30 x 24½ inches; “Rhododendron and Tall Trees,” 2007, pigment print, image: 30 x 22¾ inches; “Baldface Mountain Overlook,” 1981, pigment print, image: 20 x 26 inches; “Baldface Mountain Overlook”, 1988, pigment print, image: 20 x 24¾ inches; “New Ferns,” 1992, gelatin silver, image: 19-7/8 x 19¼ inches; “Big Meadows Pine, Fog and Ice,” 1991, pigment print, image: 14 x 11¼ inches; “Ice Orb and Lace,” 1992, gelatin silver print, image: 10-3/8 x 13¼ inches
- Brenda Zlamany (American, born 1959): “Portrait #23 (Alex Katz),” 1995, oil on panel, 30 x 20 inches; and Portrait #15 (Lawrence Weiner), 1994-95, oil on panel, 29 x 19 inches
- Yun-Fei Ji (Chinese, born 1963), “Migrants of the Three Gorges Dam,” 2009, hand-printed watercolor woodblock mounted on mulberry paper and silk, 18-1/8 x 348-3/8 inches, number 106 from edition of 108
- Tibet, “Flaming Trident,” 18th century, iron, silver, gilded copper, 21 inches high
The Virginia Museum of Fine Arts is a state agency and a model public/private partnership. All works of art are purchased with private funds from dedicated endowments. After the board of trustees accepts the acquisitions, the art becomes the properly of the Commonwealth of Virginia to protect, preserve and interpret. The Acquisitions committee meets quarterly.