American Painting and Decorative Art Associate Curator
Dr. Susan J. Rawles, Associate Curator of American Painting and Decorative Art, joined the Virginia Museum of Fine Arts in 1995. She has since served as Interim Department Head, Assistant Curator of American Decorative Art, and Research Associate for the American Department. Rawles received a PhD in American Studies from the College of William and Mary, an MA in the history of art from Rice University, and a BA in economics and government from Smith College. While specializing in material culture of the mid-17th to early-19th century, she has written and lectured on topics ranging from colonial portraiture to period interiors. A member of the installation teams for VMFA's American art galleries (2010) and the James W. and Frances Gibson McGlothlin Collection (2015), she co-authored the accompanying publications, American Art at the Virginia Museum of Fine Arts (2010) and A Promise Fulfilled: The James W. and Frances Gibson McGlothlin Collection of American Art (2015). Her most recent projects include "Collecting for the Commonwealth: Celebrating a Century of Art Patronage at VMFA, 1919-2018," an exhibition and catalog prepared for the 2018 Winter Antiques Show in New York; and "A Return to the Grand Tour: Micromosaic Jewels from the Collection of Elizabeth Locke," an exhibition with catalog opening in 2019.
In the early decades of the 20th century, the Virginia-born tastemaker Nancy Lancaster (1897-1994) created an interior aesthetic we now know as the Country House style. Based on a nostalgia for her family home, Mirador, and responsive to the cultural shifts of the post-World War I era, the style conflated ideas born of the Lost…
In 1919, John Barton Payne made a gift of artworks to the Commonwealth of Virginia. His vision: a public art museum that could educate and unite a disparate people. A hundred years on, VMFA has emerged a leading repository of great world art. That success is due to the passion and persistence of a century…
From the early investment in landscape as the mythological source of America’s manifest destiny, to the closing of the frontier and the rise of a gilded empire, to the disaffection caused by rapid economic, social and political change: the development of the United States finds visual voice in the American art of the McGlothlin Collection.…
Elizabeth Locke’s collection of micromosaics provides a lens on the continuity of the ancient craft of mosaic into the modern era. As well-heeled English travelers crossed the channel to tour the “cradle of western civilization,” Roman mosaicists responded to the demand for classically-inspired works by producing micromosaics evocative of their journey. This talk considers the…
From the 1880s Aestheticism of VMFA’s Worsham-Rockefeller bedroom to the 1910s neoclassicism of Beulah Branch’s boudoir, the Gilded Age was remarkable for an eclecticism reflective of both technological advances and socio-economic change. This talk considers the content and context of patronage and taste that shaped elite bedrooms of the era.