VMFA Art History Classes provide adult audiences with the opportunity to investigate the history of art through dynamic and interactive lectures, gallery visits and discussions. For ages 16 and over.
Cancellation Policy: No refunds unless VMFA cancels a class. VMFA will cancel a class if 12 students are not enrolled one week before the start date.
Wednesdays, Sep 10 – Oct 1, 1 – 2:30 pm | Conference Suite & Galleries Thursdays, Sep 11 & 18, 6:30 – 8 pm | Conference Suite & Galleries Tuesdays, Sep 16 – Nov 4, 1 – 2:30 pm | Conference Suite & Galleries Thursdays, Sep 25 – Oct 16, 1 – 2 pm | Conference Suite & Galleries Wednesdays, Oct 8 – Nov 12, 2 – 3 pm | Pauley Center Parlor Thursdays, Nov 6 & 13,1 – 2:30 pm | Pauley Center Conference Room
War in Art 
Dr. Colleen Yarger, Department of Art History, VCU
War has been the subject of countless works of art over the millennia. Drawing upon works from VMFA’s permanent collection as well as the VMFA exhibition The Great War: Printmakers of WWI, this course surveys the ways in which artists have contributed to the memory of military conflict — from ancient epics to World War I. There is a special focus on those who pulled double-duty as both artist and soldier, such as Thomas Hart Benton and Grant Wood.
Arts of South Africa: A Cauldron of the 20th Century 
Richard B. Woodward, Curator of African Art, VMFA
This two-part class surveys the historic arts of southern Africa. The first session focuses on the dazzling art of the Zulu and Ndebele peoples. In the second session, students examine artistic responses to South Africa’s intense social and political conflicts during the 20th century, the key role of Zulu leaders in opposing apartheid, and developments during the twenty years — the Mandela years — since the first free elections in 1994.
The Arts of China 
Dr. Kerry Lucinda Brown, Department of Art History, VCU
Discover the rich artistic heritage of China — from ancient tomb sculptures to masterpieces of the imperial court. This eight-session course explores the history of art in China as a prelude to the upcoming exhibition Forbidden City: Imperial Treasures from the Palace Museum, Beijing, which features nearly 200 artworks and artifacts from the emperor’s palace. The course places special attention on the political, social, and other factors that led to the artistic and cultural renaissance during China’s Ming (1368 – 1644) and Qing dynasties (1644 – 1911), giving students the opportunity to learn about the hidden world behind the walls of the Forbidden City.
Architectural Literacy 
Calder Loth, Senior Architectural Historian, Virginia Department of Historic Resources; Member, Institute of Classical Architecture and Art Advisory Council
For architects, interior designers, contractors, old-house buffs, remodelers, realtors, and anybody who wants to know more about traditional architecture, this course covers design and construction details as well as ancient precedents for familiar architectural motifs. Using both famous and ordinary examples, with many from Richmond, this class explores why classical buildings — ancient and modern — look the way they do.
The Middle Ages in France 
Dr. Donald Schrader, Adjunct Professor of Art History, University of Mary Washington
In spite of endemic warfare and social unrest that the ruling powers were never able to address, France grew to be recognized as the undisputed center of arts and culture in Europe and the world during the Middle Ages. This course explores the rise of the Romanesque and the Gothic artistic movements and looks at how the visual arts reflected and shaped a culture that was by turns gracious and sophisticated, violent and barbarous. Students learn about the grand cathedrals with their extraordinary sculptures and glass, beautiful manuscripts painted for kings and queens, and the precious decorative arts that wielded sacred and secular power.
Art Crimes 
Dr. F. Johanna Minich,, Adjunct Professor of Art History, University of Mary Washington
Art crime is currently the third-highest grossing criminal enterprise worldwide. This multibillion dollar global industry has a destructive impact on world cultures as well as the world of legitimate art collecting. In this two-part seminar, participants learn about the four major types of art crime —theft, forgery, fakes, and looting — famous examples of each, and international efforts for repatriation.
Wednesdays, Sep 10 – Oct 1, 1 – 2:30 pm | Conference Suite & Galleries
Thursdays, Sep 11 & 18, 6:30 – 8 pm | Conference Suite & Galleries
Tuesdays, Sep 16 – Nov 4, 1 – 2:30 pm | Conference Suite & Galleries
Thursdays, Sep 25 – Oct 16, 1 – 2 pm | Conference Suite & Galleries
Wednesdays, Oct 8 – Nov 12, 2 – 3 pm | Pauley Center Parlor
Thursdays, Nov 6 & 13,1 – 2:30 pm | Pauley Center Conference Room