October 4, 2018
By Carol Sawyer, Margaret H. & William E. Massey Sr. Conservator of Paintings Jean-Frédéric Bazille, The Artist’s Studio, Rue Visconti, Paris, 1867; oil on canvas, 25 ½ in x 19 in. Virginia Museum of Fine Arts, Collection of Mr. and Mrs. Paul Mellon, 83.4. Unlike Nicolas Poussin’s Achilles among the Daughters of Lycomedes, which contains…
September 18, 2018
By Casey Mallinckrodt, Andrew Mellon Assistant Conservator Conservators carry out technical analyses to identify materials to guide our decision-making, if treatment is required, and to predict and prevent future deterioration by ensuring that objects are handled and stored appropriately. In addition, technical information contributes to our understanding of an object within its cultural context and enhances what…
August 30, 2018
By Carol Sawyer, Margaret H. & William E. Massey Sr. Conservator of Paintings The Painting Conservation Department performs treatments, examinations and research related to the VMFA painting collection. In the course of doing this work questions regarding the authenticity of a work of art sometimes arise. Technical analysis and in-depth examination of the materials and…
August 21, 2018
Howardena Pindell has consistently broken new ground during her five-decades-long artistic career. In 1967, she was the first female African American to graduate from Yale University’s MFA program then began working as the first female black curator at the Museum of Modern Art in New York. Her diverse body of art—from abstract canvases to photography…
August 10, 2018
By Bruce Suffield While studying Édouard Manet’s painting, On the Beach, Boulogne-sur-Mer (Accession # 85.498), in the painting conservation studio, it was noted that the artist had used numerous and different brush strokes around one of the compositional elements. He had most likely changed the area around the edges of the bathing machine or bathing…
June 14, 2018
By Kathryn Brugioni Gabrielli, Assistant Conservator As an objects conservator and an emerging professional, I have had limited experience thinking beyond the theoretical when it comes to the care, preservation, and treatment of textiles. As such, I was especially excited at the prospect of my first project during my fellowship at the VMFA. After my…
May 29, 2018
By Casey Mallinckrodt, Assistant Conservator The conservation initiative in African art funded by the Andrew W. Mellon foundation is allowing the VMFA Conservation Center to deepen capacity by acquiring analytic equipment, engaging specialist consultants, and also by developing specialized expertise within the Conservation staff. This winter Assistant Conservator Casey Mallinckrodt participated in an intensive course…
April 24, 2018
By Richard B. Woodward, VMFA Curator of African Art While ancient Egypt and Kush are well studied and widely known, far less research has been dedicated to the ancient art and history of the rest of the African continent. Recent discoveries across what today is northern Nigeria have opened new chapters regarding the deep history…
April 12, 2018
Esther Mahlangu, whose dazzling, mural-size paintings provide a gateway to the VMFA African art galleries, has just been awarded an honorary doctorate from the University of Johannesburg for “her legacy as a cultural entrepreneur and educator, skillfully negotiating local and global worlds.” Dr. Mahlangu, the most renowned artist of South Africa’s Ndebele people, developed the…
April 3, 2018
To test terracotta using TL dating, conservators take a powdered sample from an unobtrusive area of the object using a high-speed drill. Due to the fragile nature of these objects and the risk of causing damage through improper technique, only an experienced conservator or trained sampling agent should collect the sample. We reached out to…
