1974
American
mixed media
Place Made,United States
Overall: 8 × 13 × 10 in. (20.32 × 33.02 × 25.4 cm)
85.441
Not on view

“Instead of going to an art store, we’d go to the hardware store, or to the five-and-dime . . . I took some pins and glue and saw immediately that it made fantastic textural sculpture . . . It connected with my past too—that silver tradition and Byzantine gold.” —Lucas Samaras

Unconventional materials, craft techniques, and obsessive modes of composing characterize Samaras’s work. One of his signature forms is the elaborately decorated box; he made a series of 135 of them between 1962 and 1989. Beckoning and threatening in equal measure, the boxes have been likened to reliquaries and fetish objects.

Box #89 contains an assortment of keepsakes surrounding Samaras’s image beneath a glass pyramid and chicken wire. A small silver-lidded container holding cut-up black-and-white photographs of a male nude seems to promise further revelation. Ultimately, however, the work offers enigma, allusion, and provocation—hallmarks of Samaras’s self-referential art.

Gift of Sydney and Frances Lewis
Unrepentant Ego: The Self Portraits of Lucas Samaras, Whitney Museum of American Art, New York, NY, November 20, 2003 – February 15, 2004

Transformed Reality, Virginia Museum of Fine Arts, Richmond, VA, February 18 – May 16, 1993

Contemporary Sculpture in the Collection of the VMFA, Virginia Museum of Fine Arts, Richmond, VA, June 25 – August 11, 1991

The Golden Door: Artist Immigrants of America, 1876 - 1976, Hirshhorn Museum and Sculpture Garden, Washington DC, May 20 – October 20, 1976
(The Pace Gallery, New York) by 1975; Purchased by Mr. and Mrs. Sydney and Frances Lewis, Richmond, Virginia in December of 1975; Gift to Virginia Museum of Fine Arts (VMFA), Richmond, Virginia in December of 1985.
© Lucas Samaras

Some object records are not complete and do not reflect VMFA's full and current knowledge. VMFA makes routine updates as records are reviewed and enhanced.