1999
American
Works On Paper
Prints
etching on paper
Place Made,United States
Unframed: 59 1/2 × 47 3/4 in. (151.13 × 121.29 cm)
2000.19
Not on view

“My prints and drawings are the result of trying to assess and define what surprises me in a sculpture, what I could not understand before a work was built.” —Richard Serra

In the late 1960s, Serra’s lead and steel sculptures established him as a leading Post-Minimalist. Serra has also made drawings and prints throughout his career. Unlike traditional sculptors’ studies, Serra’s works on paper are often created after the sculpture.

D.T.E., which stands for “double torque ellipse,” translates the physical power of Serra’s Torques Ellipse sculptures (1996-99) into labor-intensive etchings that push the medium to its limits. Serra builds up thick layers of molten paintstick and lithographic crayon and presses them through an aluminum screen onto a copper plate with his feet. The plate requires days of etching in an acid bath and nearly three hours of inking before it is printed on specially made paper.

30/40
Signed in graphite lower right: R Serra 99
Inscribed in graphite lower left: "30/40"
Gift of Henrietta Near in memory of Pinkney Near (Museum Curator, 1954-1990)
The New VMFA: Collecting for the Future, Virginia Museum of Fine Arts, Richmond, VA, October 15, 2003 - January 4, 2004

Torques, Ellipses and Rounds, Gemini G.E.L. at Joni Moisant Weyl, New York, NY, November 3 - December 31, 1999
(Gemini G.E.L., Los Angeles) by 1999; Purchased with donated funds by Virginia Museum of Fine Arts (VMFA), Richmond, Virginia in May of 2000. [1]; July 2000- Present, VMFA Collection.

[1] Accessioned May 18, 2000. See VMFA Curatorial file.
©artist or artist’s estate

Some object records are not complete and do not reflect VMFA's full and current knowledge. VMFA makes routine updates as records are reviewed and enhanced.