Juan Gris (Primary Title)

Man Ray, American, 1890 - 1976 (Artist)

1921
American
Works On Paper
Gelatin silver print
Image: 4 3/4 × 3 13/16 in. (12.07 × 9.68 cm)
Sheet: 9 7/16 × 7 1/16 in. (23.97 × 17.94 cm)
2018.357

“In the early days Gertrude Stein brought Juan Gris to my studio,” Man Ray wrote in his autobiography. “He came prepared to be photographed with a high white stiff collar, as if for a family portrait.” Man Ray’s comments help unpack this early portrait of the Spanish Cubist artist, whose jacket, tie, and starched white shirt suggest a formality that is in stark contrast to the radical nature of his paintings. Rather than photograph Gris in front of a plain burlap backdrop, as he did for other sitters, including Havelock Ellis, Tsuguhara Fujita, and James Joyce, Man Ray positioned the Spanish artist underneath a painting, whose ornate frame is visible at the top of the image, and surrounded by decorated wallpaper, a wooden stick, and a banjo. The wallpaper helps date the portrait since it is recognizable as the wallpaper in Man Ray’s apartment-studio at the Grand Hotel des Écoles at 15, rue Delambre, where he stayed until December 1921. 


Label affixed to mat verso: " '2. Juan Gris, 1922/ In the early days Gertrude Stein brought Juan Gris to my studio./ He came prepared to be photographed with a high white stiff/ collar, as if for a family portrait'." Photographer's studio stamp (Posthumous stamp) in black ink: "Man/ Ray/ 31 ^bis, Rue Campagne/ Première/ Paris XIV". (M#28- check Text Entry notes for stamp details)
Inscribed in photographer's hand in graphite on print verso: "Gris". Inscribed in graphite in lower left corner print verso: [encircled] "TB". Inscribed in black ink on mat verso: "#7". Inscribed in black permanent marker on mat verso: "#6". Inscribed in black ink on print verso: " 1/8" UF3 plexiglass installed 5/9/90".
Arthur and Margaret Glasgow Endowment
Man Ray: The Paris Years, VMFA, October 30, 2021 – February 21, 2022

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