wire mesh, steel, tar, cedar, particleboard
United States
Overall: 87 × 49 × 24 in. (220.98 × 124.46 × 60.96 cm)
Not on view

“What I’m interested in is work that has a myriad of associations but is also extremely pared down.”

 —Martin Puryear

Puryear’s abstract sculptures, while often simple in shape and materials, are richly allusive. This combination of qualities links him to a group of artists loosely called Post-Minimalists. The dark, monolithic form of this piece suggests a colossal head or a primitive totem, although its asymmetry and its vessel-like quality recall organic forms like seedpods or gourds. Puryear finished the piece—a metal grid overlaid with squares of wire mesh—with a coating of tar. The coating defines the sculpture’s massive form, but viewers can peer into the piece and out the other side.

Sydney and Frances Lewis Endowment Fund
2017: Martin Puryear, parasol unit foundation for contemporary art, London, UK, September 19 - December 8, 2017

Martin Puryear, Virginia Museum of Fine Arts, Richmond, VA, Match 6 - May 27, 2001; Miami Art Museum, Miami, FL, June 22 - August 26, 2001; University of California Berkeley Art Museum, Berkeley, CA, September 12 - December 30, 2001; Seattle Art Museum, Seattle, WA, January 17 - April 21, 2002

Martin Puryear, J. Paul Getty Museum, Los Angeles, CA, November 23, 1999 - January 9, 2000

Basel Art Fair, 1995
(David McKee Gallery, New York) by 1995; Purchased by Virginia Museum of Fine Arts (VMFA), Richmond, Virginia in October of 1995. [1]

[1] Accessioned October 19, 1995.
© Martin Puryear

Some object records are not complete and do not reflect VMFA's full and current knowledge. VMFA makes routine updates as records are reviewed and enhanced.