1928
Italian
Oil on canvas
Unframed: 39 1/4 × 32 in. (99.7 × 81.28 cm)
Framed: 44 3/8 × 37 in. (112.71 × 93.98 cm)
47.10.11
Not on view

Campigli came to Paris in 1919 to work as a correspondent for an Italian newspaper and, while there, took up painting. By the late 1920s, he was interested in the idea of a modern reassessment of the antique past; a 1928 visit to the National Etruscan Museum in Rome was his transformative moment.

This painting presents contrasting female archetypes. The foreground figure evokes a sense of timeless femininity with her archaizing motifs such as hollowed-out eyes reminiscent of antique sculpture. Her ruddy tones and the heavily worked canvas recall Etruscan wall paintings. The figure in the background is a contemporary woman—her umbrella a nod to fashionable urban life. .

Signed and dated lower left, Massimo Campigli 1928
T. Catesby Jones Collection
Matisse, Picasso, and Modern Art in Paris: The T. Catesby Jones Collections at VMFA and the University of Virginia Art Museum, VMFA Statewide Exhibition, UVA, Charlottesville, January 30 - April 24, 2009; Museum of the Shenandoah Valley, Winchester, August 15 - November 29, 2009; William King Regional Art Center, Abingdon, December 11, 2009 - February 21, 2010

Selections from the T. Catesby Jones Collection, Virginia Museum of Fine Arts, Richmond, November 15 - December 29, 1974

Arte Italiana del XX Secolo da Collexione Americane, Palazzo Reale, Milan, April 30 - July 26, 1960; Galleria Nazionale d'Arte Moderna, Rome, Summer 1960

Mary Washington College, May 1953

University of Virginia, January 1953

Hollins College, December 1952

Summer Exhibition: Painting and Sculpture from the Museum Collection and on Loan, The Museum of Modern Art, New York, June 23 - November 4, 1937
©artist or artist’s estate

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