1972
American
cast acrylic resin with plastic dolls
Overall: 36 × 14 3/4 × 8 in. (91.44 × 37.47 × 20.32 cm)
85.512
Not on view

“I have always pretended that objects themselves formed a self-composition. My composition consisted of allowing them to compose themselves.” —Arman

Arman belongs to Nouveau Réalisme, a movement that included artists Yves Klein and Christo and was often considered the French version of American Pop Art. The Nouveau Realists shared Pop Art’s fascination with everyday objects, though rather than representing them in paintings and sculptures, they incorporated them into collages and assemblages.

Torso belongs to Arman’s body of work known as Accumulations, groupings of repeated objects placed in glass boxes or encased in resin. Arman explored the concept of “critical mass,” filling his containers to the maximum to create an “all-over” appearance akin to mid-20th-century abstract painting. For Arman, critical mass also implied the point at which the chosen object loses its individuality while retaining a sense of its original self. Here Arman mirrors the dolls’ shape in the overall form of the resin casing.

Gift of Sydney and Frances Lewis
"Transformed Reality", VMFA, 18 Feb - 16 May, 1933

Worcester Art Museum, Worcester, Mass. "A Figurative Perspective: Recent Paintings and Sculpture from the Virginia Museum," 12 March - 21 May 1989.
©artist or artist’s estate

Some object records are not complete and do not reflect VMFA's full and current knowledge. VMFA makes routine updates as records are reviewed and enhanced.