Sined o side: R. Carabin;
on base: EJ (in cartouche) A10
Sydney and Frances Lewis Art Nouveau Fund
Similar example at Salon of the Societe Nationale des Beaux-Arts, Paris, 1897;
"Movement and Meaning: Choreographic Ritual in Early Modernist Art, 1886-1914," Bayly Art Museum Charlottesville, VA 1994-1995;
"The Lines of Art Nouveau," Dayton Art Institute, Oct 25, 1983 - Jan 29, 1984;
"Movement and Meaning: Choreographic Ritual in Early Modernist Art, 1886-1914," Bayly Art Museum Charlottesville, VA 1994-1995;
"The Lines of Art Nouveau," Dayton Art Institute, Oct 25, 1983 - Jan 29, 1984;
Review of Carabin show, see Edith Hoffmann, "Carabin in Paris," Burlington, Aug 1974, vol. 115, pp. 49-50;
See Ph.d. dissertation, Sarah S. Jones, "Art Nouveau and the Iconography of Women as seen in the work of Rupert Carabin," University of Nebraska, 2008-09;
See Ph.d. dissertation, Sarah S. Jones, "Art Nouveau and the Iconography of Women as seen in the work of Rupert Carabin," University of Nebraska, 2008-09;
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