2001
American
Media-Based Art
digital video projection, hand-blown glass, fiberglass
Place Made,United States
Overall (glass): 15 1/4 × 34 1/8 in. (38.74 × 86.66 cm)
Overall (fiberglass): 15 × 17 × 9 1/2 in. (38.1 × 43.18 × 24.13 cm)
2001.223
Not on view

I see all media as being involved with a willing suspension of disbelief on the part of the viewer that does not end with the formation of the image—it continues into endless levels of interpretation. —Tony Oursler

One of today’s preeminent video artists, Oursler is best known for his video sculptures that redefine video art as a physical entity that exists in the world of the viewer.

Blue Husk combines Oursler’s interest in extreme psychological states with his other primary subject—mass media. The face of New York actress Tracy Leipold (who has provided the persona for numerous Oursler works) is projected onto a fiberglass form within a hand-blown glass “pod.” Leipold babbles and ruminates in an apparent stream of consciousness, but she in fact performs a script. Oursler based his text on extensive research into the history of radio and television and the phenomenon of psychics who claim to contact the dead using technology.

National Endowment for the Arts Fund for American Art
Tony Oursler: Antennae Pods Transmissions, Metro Pictures, New York, NY, April 28 - June 16, 2001
Collection of the artist, New York; (Metro Pictures, New York) by 2001; Purchased by Virginia Museum of Fine Arts (VMFA), Richmond, Virginia in September of 2001. [1]; September 2001- Present, VMFA Collection.

[1] Accessioned September 20, 2001. See VMFA Curatorial file.
© Tony Oursler

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