Vajrabhairava Yamantaka and Vajravetali (Primary Title)
Yamantaka Vajrabhairava and Vajravetali (Primary Title)
Paubha (Object Name)

Unknown (Artist)

mid–15th century
Tibetan
opaque watercolor and gold on cloth
Place Made,Central Tibet
Mat: 45 × 37 1/4 in. (114.3 × 94.62 cm)
2010.85
Not on view

As if to signal an ecstasy hidden behind the horrors of death, Vajrabhairava, who was blue black at the center of our mandala, is here transformed into the radiant gold of realization. The gleaming bodies of the deity and his consort are a reminder that Vajrabhairava is Manjushri’s mirror, simultaneously revealing Death to himself and incorporating us into that vision. This luminous painting is, in fact, a mandala, in a more schematic format than the cosmic bird’s-eye view type. The meditation deities at its center are surrounded by multiarmed figures very similar to the guardians of our mandala map. Additional deities, including Yama Dharmaraja, and a teaching lineage surround the configuration.

Zimmerman Family Collection, Robert A. and Ruth W. Fisher Fund and the Arthur and Margaret Glasgow Fund
Awaken: A Tibetan Buddhist Journey toward Enlightenment, VMFA, Richmond, April 20-August 14, 2019; Asian Art Museum, San Francisco, January 17 – November 29, 2020; Rubin Museum of Art, New York, March 12, 2021 – January 2, 2022

Image released via Creative Commons CC-BY-NC

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