Till Earth and Heaven Ring (Primary Title)

Sonya Clark, American, born 1967 (Artist)

2019
American
Sculpture-Installation
Player piano, piano roll made of Jason Moran’s version of James Weldon Johnson’s poem “Lift Every Voice and Sing,” light, bronze cast reproduction of the Liberty Bell, artist’s hair
Overall (piano): 53 1/4 × 61 3/4 × 28 1/4 in. (135.26 × 156.85 × 71.76 cm)
Overall (bench): 20 1/2 × 36 1/4 × 15 1/4 in. (52.07 × 92.08 × 38.74 cm)
Overall (bell): 9 3/4 × 12 × 9 in. (24.77 × 30.48 × 22.86 cm)
2020.74a-c
Not on view

Sonya Clark constructs works about history from the materials that speak to that history. Over the course of her career, she has explored the nature of material in the hands of the artist and the embodiment of the self in art. In this multi-media work, Clark extends this meditation in a collaboration with jazz musician and visual artist Jason Moran.

The player piano plays Moran's rendition of “Lift Every Voice and Sing” (embraced as the Black American national anthem) by emitting light through sheet music attached to the piano's drum. Installed on a nearby wall is a small replica of the Liberty Bell; but instead of a typical metal clapper, it contains one that Clark constructed using her own hair. The concept emphasizes not only the muffling of the bell’s sound but also the DNA-based subjugation tethered to the notion of “Liberty” at the very founding of this country.

Gift of the Andy Warhol Foundation for the Visual Arts, and Arthur and Margaret Glasgow Fund, by exchange
2021: "The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse", VMFA, May 22 - September 6, 2021

Sonya Clark: Self-Evident, African American Museum in Philadelphia: Philadelphia, PA, May 25 - September 8, 2019

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