Page from a Ragamala Series: Malava Ragini (Primary Title)
Malavi Ragini (Primary Title)
Ragamala (Series Title)

Unidentified (Artist)

early 18th century
Indian, Malwa or Northern Deccan (possibly Panna)
Paintings
Works On Paper
Opaque watercolor, ink, and gold on paper
Sheet: 16 1/4 × 11 3/4 in. (41.28 × 29.85 cm)
Mat: 24 × 20 in. (60.96 × 50.8 cm)
2018.192

The Megha cycle’s story ends with the lovers again separated and a return to the mood of longing that characterized several of its earlier passages. The quiet, contemplative air of Bangal Ragini is personified as a lady practicing the austerities of an ascetic. Smeared with ash and sandalwood paste, she sits alone in the courtyard of a palatial structure, reciting mantras from the leaves of a book. An attendant watches from inside the palace door, ready to assist but careful not to disturb her mistress’s meditations. A relatively subtle example of Central Indian painting, this work employs a somewhat softened primary color palette, while animating features such as the lotus pond, homing pigeons, and diagonal awning enliven the otherwise relatively flat, static pictorial space.

Two lines of Indian script inscribed in black at top edge, recto. Four lines of Indian script inscribd in black ink on verso. Inscribed in graphite at lower left corner "2012.045".
Arthur and Margaret Glasgow Endowment
Image released via Creative Commons CC-BY-NC

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