Doubled-handled Jug (Primary Title)
David Drake, American, ca. 1800 - ca. 1870 (Artist)
Lewis J. Miles Factory, American, ca. 1830 - 1879 (Manufacturer)
One of only twenty-nine identified, signed, and dated poem wares by enslaved potter David Drake, this rare double-handled jug gives evidence of Drake’s ability to read and write. Although a few slaves were taught to read in the early decades of the 19th century, the practice increasingly became illegal in the period preceding the Civil War. Writing was considered particularly problematic because it allowed bonded persons to communicate with one another and plan rebellion against their masters. Following Emancipation, Drake continued to produce ceramic wares, but no longer inscribed them. This change suggests that he used his rare skills to defy slavery and proclaim his identity during a period when his status as a man was not acknowledged.
Like many of Drake’s poem pieces, the inscription on the surface of this jug highlights the various activities occupying plantation life. The Miles plantation operated a tannery where leather was prepared for making shoes. Hence, Dave writes: “Ladys & gentlemens Shoes: / Sell all you can & nothing you’ll loose!”
Demand for storage pieces such as this jug was high in the Deep South where large-scale plantations with numerous enslaved laborers required significant quantities of food and drink. This jug with its two strapwork (ribbon-like) handles was used to store and pour molasses or other liquid substances. This example is rare not only because handled wares are prone to breakage but because its two-handled design required greater skill than single-handled works; if the straps are not set symmetrically, the jug will not tip evenly.
Smarthistory: Resisting slavery with poetry and clay, a doubled-handled jug by David Drake
6:27A conversation with Dr. Susan J. Rawles, Elizabeth Locke Associate Curator of American Decorative Arts, Virginia Museum of Fine Arts and Dr. Steven Zucker.
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