Registration Information
Summer 2024 Classes & Programs
Registration for VMFA Members & Non-members is currently underway online, by phone, and in person.
Explore the Summer 2024 Classes & Programs BrochureFall 2024 Classes & Programs
Registration for VMFA Members
To accommodate the high demand, members-only registration for the following categories will begin as noted:
Studio School and Art History Classes (ages 16+)
Tue, Aug 6 | 8 am (online or by phone) or 10 am (in person)
Teen and All Children’s Classes
Wed, Aug 7 | 8 am (online or by phone) or 10 am (in person)
VMFA members have the first chance to register for classes. Not a member? Join today.
Registration for Nonmembers
Nonmember registration for all classes begins Tue, Aug 13 | 8 am (online or by phone) or 10 am (in person)
Explore the Fall 2024 Classes & Programs Brochure
In need of assistance?
Visitor Services is available by phone 804.340.1405 starting at 8 am or in-person at the museum starting at 10 am on registration days.
VMFA Art History Classes provide adult audiences with the opportunity to investigate the history of art through dynamic and interactive lectures, gallery visits and discussions. For ages 16 and over.
Wed, Jun 4, 11, 18, 25, Jul 9, 16, 2–3 pm (6 sessions) | Reynolds Lecture Hall
$95 (VMFA members $80) Tues, Jun 3, 10, 17, 24, 2–3 pm (4 sessions) | Conference Room 1 and Galleries $80 (VMFA members $65)[51] From Caravaggio to Bernini: How Art was Transformed in Baroque Rome
Dr. Donald Schrader, Adjunct Professor of Art History, University of Mary Washington
The embellishment of the city of Rome for the jubilee year of 1600 was only the start; artists came to the Holy City from all over Italy, and from all of Europe, for opportunities to learn and create in a time when visual art of every kind was in greatest demand. This six-part course explores the lives and works of some of the most significant and influential artists in the Western world: the intensity and realism brought to painting by Caravaggio, from Lombardy; the learned elegance of the Carracci, his rivals from Bologna; and the stunning drama in the almost miraculous sculptures of
Bernini, whose family came to Rome from Naples. The class will also examine the remarkable contributions of artists from France, Spain, and the Netherlands, many of whom brought the lessons of Rome back to their home countries, and of whom enjoyed lifelong careers in la città eterna.[50] Unseen Senses
Dr. Susan Glasser, Independant Art Historian
We tend to think of museum visits as visual experiences. What is less acknowledged or discussed are the ways artists engage our other senses: evoking the feel of a satin’s sheen, amplifying a natural sound, accentuating a fragrant smell or delectable taste. This four-part course examines
art from around the world to explore how artists explicitly and implicitly incorporate touch, smell, taste, and sound into their work. Participants might be surprised to learn how contemplating art beyond our sense of sight can lead to a richer appreciation of VMFA’s impressive holdings.