Registration Information
Summer 2024 Classes & Programs
Registration for VMFA Members & Non-members is currently underway online, by phone, and in person.
Explore the Summer 2024 Classes & Programs BrochureFall 2024 Classes & Programs
Registration for VMFA Members
To accommodate the high demand, members-only registration for the following categories will begin as noted:
Studio School and Art History Classes (ages 16+)
Tue, Aug 6 | 8 am (online or by phone) or 10 am (in person)
Teen and All Children’s Classes
Wed, Aug 7 | 8 am (online or by phone) or 10 am (in person)
VMFA members have the first chance to register for classes. Not a member? Join today.
Registration for Nonmembers
Nonmember registration for all classes begins Tue, Aug 13 | 8 am (online or by phone) or 10 am (in person)
Explore the Fall 2024 Classes & Programs Brochure
In need of assistance?
Visitor Services is available by phone 804.340.1405 starting at 8 am or in-person at the museum starting at 10 am on registration days.
VMFA Art History Classes provide adult audiences with the opportunity to investigate the history of art through dynamic and interactive lectures, gallery visits and discussions. For ages 16 and over.
Tue, Jan 21, 28, Feb 4, 11, 2–3 pm (4 sessions) | Reynolds Lecture Hall
$80 (VMFA members $65) Wed, Jan 22, 29, Feb 5, 12, 19, 26, 2–3 pm (6 sessions) | Reynolds Lecture Hall
$95 (VMFA members $80) Thu, Mar 6, 13, 20, 27, 1–2 pm (4 sessions) | Conference Room 1 and Galleries $80 (VMFA members $65) Thu, Apr 17, 1–2:30 pm (1 sessions) | Reynolds Lecture Hall and Galleries $40 (VMFA members $35)[69] The Fabergé Obsession: Romance, Revolution, and Russian Decorative Arts
Twyla Kitts, Educator and Researcher
Why are so many people fascinated by Fabergé creations and the last days of the Russian empire? The imperial eggs are worth millions, and the craftsmanship of Fabergé objects is remarkable, but perhaps the stories of opulence, revolution, and death associated with these works are the hooks that best catch our interest. This class explores how VMFA’s collection of Russian decorative arts
evokes remembrances of a vanished era.[70] Ad rem Publica: Transformations of Art in the Service of Ancient Rome and Romans
Dr. Donald Schrader, Adjunct Professor of Art History, University of Mary Washington
It took the ancient Romans some time to take note of the Greek accomplishments in art and literature. But beginning in the 2nd century BC, the arts were transformed into expressions of distinctly Roman identity. Individuals sought to immortalize their memories and contributions to the state through private and public art. In the Empire, the state itself proclaimed its greatness through a wide range of projects, both practical and purely ceremonial. In this series, we will meet the ancient Romans—much more knowable through their art than the Greeks before
them—in the moving portraits of the Republic; in the proud but nervous assertions of power in the Augustan age; and in the reflections of a changing world order in the later Empire.[71] The Art of Looking
Dr. Susan Glasser, Secretary, Public Art Commission
Back by popular demand, this gallery-centered art history class returns for a second offering! Do you know how to look at art? That may seem like a silly question, but ask yourself: When faced with never-before-seen art, do you spend more time reading the label than looking at the art or rely on an “expert” to explain what you’re seeing? This interactive, skill-building class will help you walk into any gallery and begin decoding and encoding art using your own life experiences. (You’ll also learn what “decoding and encoding” mean in an art-viewing context.)
[72] Frida Kahlo 101
Dr. Sarah Powers, VMFA Exhibition Curator
Join Dr. Sarah Powers, VMFA Exhibition Curator of Frida: Beyond the Myth, for a closer look at the life and work of artist Frida Kahlo. This one-session class will focus on works of art in the exhibition Frida: Beyond the Myth, which explores the life of one of the 20th century’s most documented artists, who, as an individual, continues to elude our understanding of her. This class will aim to go beyond the popular myths about the artist to unpack meaning in the personal
symbolism embedded in her work. The first hour of class will be a lecture in the Reynolds Lecture Hall. The class will conclude with a walkthrough of the special exhibition.